Monday, February 20, 2017
Rockin' in the Days of Confusion #1708 (starts 2/22/17(
We're going deep this week, with only one hit single nestled among a whole bunch of LP tracks, including tunes from Savoy Brown, Genesis, Gypsy and even a Grace Slick solo piece.
Artist: Traffic
Title: Light Up Or Leave Me Alone
Source: CD: Smiling Phases (originally released on LP: The Low Spark Of High Heeled Boys)
Writer(s): Jim Capaldi
Label: Island
Year: 1971
Although drummer Jim Capaldi shared writing credits with Steve Winwood on most of Traffic's material, it was Winwood who provided the lead vocals for nearly all of those collaborations. In fact, Capaldi only took center stage on three original Traffic studio tracks, two of which were on the band's fifth album, The Low Spark Of High Heeled Boys. Indeed, Light Up Or Leave Me Alone was not only sung by Capaldi, it was written without input from Winwood, a true rarity for Traffic (Dave Mason's contributions notwithstanding).
Artist: Savoy Brown
Title: All I Can Do
Source: LP: Street Corner Talking
Writer(s): Davis/Fuqua/Gordy
Label: Parrot
Year: 1971
Following the departure of three of the four members of Savoy Brown to form Foghat, remaining member (and founder) Kim Simmonds recruited members of a band called Chicken Shack, which had fallen apart following the departure of vocalist Christine Perfect, who had left that band to become a member of Fleetwood Mac (becoming Christine McVie around the same time). The first album by the new Savoy Brown lineup was Street Corner Talking, which featured a mixture of Simmonds originals and cover songs from various sources. One of the most notable of the latter group was All I Can Do, which came from the Motown stable of writers.
Artist: Genesis
Title: Harold The Barrel
Source: CD: Nursery Cryme
Writer(s): Banks/Collins/Gabriel/Hackett/Rutherford
Label: Atlantic (original label: Charisma)
Year: 1971
Nursery Cryme was the third Genesis album, and the first to feature the band's classic lineup of frontman Peter Gabriel, keyboardist Tony Banks, guitarist Steve Hackett, bassist Mike Rutherford and drummer Phil Collins. Although the album is best known for its lengthy compositions The Musical Box and Return Of The Giant Hogweed, shorter songs such as Harold The Barrel have their own charms as well.
Artist: Big Brother And The Holding Company
Title: Oh, Sweet Mary
Source: LP: Cheap Thrills
Writer(s): Albin/Andrew/Getz/Gurley/Joplin
Label: Columbia
Year: 1968
The only song credited to the entire membership of Big Brother And The Holding Company on their Cheap Thrills album was Oh, Sweet Mary (although the original label credits Janis Joplin as sole writer and the album cover itself gives only Joplin and Peter Albin credit). The tune bears a strong resemblance to Coo Coo, a non-album single the band had released on the Mainstream label before signing to Columbia. Oh, Sweet Mary, however, had new lyrics and a "dreamy" bridge section played at a slower tempo than the rest of the tune.
Artist: Jethro Tull
Title: Living In The Past
Source: CD: Stand Up (bonus track) (originally released as 45 RPM single)
Writer(s): Ian Anderson
Label: Chrysalis/Capitol (original US label: Reprise)
Year: 1969
By the end of the 1960s most UK labels had abandoned the British tradition of not including singles on LPs. One notable exception was Island Records, who continued to issue mutually exclusive Jethro Tull albums, singles and EPs into the early 1970s. Among those non-LP tracks was the 1969 single Living In The Past, which would not be included on an album until 1972, when the song became the title track of a double LP Jethro Tull retrospective. The song then became a hit all over again, including in the US, where the original single had failed to chart.
Artist: Wishbone Ash
Title: Errors Of My Way
Source: CD: Wishbone Ash
Writer(s): Turner/Turner/Powell/Upton
Label: MCA (original label: Decca)
Year: 1970
Wishbone Ash was one of the first bands to feature dual lead guitars. This came about almost by accident, as the group had been looking for a lead guitarist but couldn't choose between the two finalists, Andy Powell and Ted Turner. They decided to go with both, and, after Powell sat in with Deep Purple's Ricthie Blackmore during a soundcheck, the group was signed to MCA Records. Their debut LP (which was issued on MCA's Decca label in 1970) was an immediate success, and Wishbone Ash became one of the most popular hard rock bands of the early 1970s. Unlike many bands with two lead guitarists, Wishbone Ash emphasized harmony leads over individual solos, as can be heard on tracks like Errors Of My Way.
Artist: Gypsy
Title: As Far As You Can See (As Much As You Can Feel)
Source: LP: In The Garden
Writer: Enrico Rosenbaum
Label: Metromedia
Year: 1971
From late 1969 to mid 1970 Gypsy was the house band at L.A's Whisky-A-Go-Go. During that period they released their first album, featuring the song Gypsy Queen. By the time the band's second LP, In The Garden, was released the group had gone through several personnel changes, with only keyboardist James Walsh, guitarist James Johnson and bandleader Enrico Rosenbaum, who played guitar and sang lead vocals, remaining from the lineup that had recorded the first LP. The new members included Bill Lordan (who would go on record several albums with Robin Trower) on drums and the legendary Willie Weeks on bass.
Artist: Joni Mitchell
Title: Cold Blue Steel And Sweet Fire
Source: LP: For The Roses (promo copy)
Writer(s): Joni Mitchell
Label: Asylum
Year: 1972
After releasing several albums for Reprise, Joni Mitchell signed with David Geffen's Asylum label in 1972. Her first album for the label was For The Roses, which includes one of her first forays into jazz-folk fusion, Cold Blue Steel And Sweet Fire, a powerful portrait of a heroin addict's life. Alone among Mitchell's albums, For The Roses was selected by the Library of Congress to be added to the National Recording Registry in 2007.
Artist: Grace Slick
Title: ¿Come Again? Toucan
Source: LP: Manhole
Writer(s): Slick/Freiberg
Label: Grunt
Year: 1973
Grace Slick's first solo album, Manhole, was conceived as a soundtrack for a movie that never existed. If you think that sounds a bit strange, you should hear the album itself. ¿Come Again? Toucan was the only single released from the album, although it did not chart. The album itself only got as far as the #127 spot on the Billboard 200.
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Great shows lately. From Cottonwood, AZ.
ReplyDeleteFeb 27 2017 Hello: What is the frequency of new episodes of the Stuck in the Psych era program? What days and times does each new episode debut? I just discovered the program, wish I would of known about it back when it started ☺ mrrocknrollhk@hotmail.com Rock on!
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