Sunday, March 17, 2019

Rockin' in the Daysof Confusion # 1912 (starts 3/18/19)



    This week's show starts with a single shot (from Eric Clapton), that eventually leads to War (courtesy of the Temptations).

Artist:    Eric Clapton
Title:    I Shot The Sheriff
Source:    CD: The Best Of Eric Clapton (originally released on LP: 461 Ocean Boulevard)
Writer(s):    Bob Marley
Label:    Polydor/Chronicles (original label: Atco)
Year:    1974
    Following the breakup of Derek And The Dominos, guitarist Eric Clapton became a bit of a recluse for several years, dealing with a heroin addiction. Finally, in 1974, he resurfaced with his second solo album, 461 Ocean Boulevard. The best known track from the album was a cover of Bob Marley's I Shot The Sheriff, which was a surprise top 40 hit that helped popularize reggae music in Britain and the United States.

Artist:    Audience
Title:    The House On The Hill
Source:    CD: The House On The Hill
Writer(s):    Werth/Williams/Connor
Label:    Caroline Blue Plate (original label: Elektra)
Year:    1971
    Audience was formed in 1969 from the remains of a semi-professional British soul band called Lloyd Alexander Real Estate that had issued one single in 1967 for the tiny President label. The band's original lineup, consisting of Howard Werth (nylon-strung electric acoustic guitar and vocals), Keith Gemmell (alto and tenor saxophone, flute and clarinet), Trevor Williams (bass guitar and vocals) and Tony Connor (drums and vocals) released three albums before exhaustion forced Gemmell to leave the group in 1972. The first two of these were not released in the US, making The House On The Hill their American debut album. Audience did have a successful US tour in support of the 1971 LP, appearing on the same bill as Rod Stewart And Faces and the original Cactus. The album itself is an eclectic mix of acoustic and hard rock, with the title track being a good example of the latter.

Artist:    Deep Purple
Title:    No No No
Source:    LP: Fireball
Writer(s):    Blackmore/Gillan/Glover/Lord/Paice
Label:    Warner Brothers
Year:    1971
    Although not the band members' favorite album by any means, Deep Purple's fifth LP, Fireball, was their first album to hit #1 in their native UK. Richie Blackmore has said that the band was being rushed by the record company throughout the making of the album, and that he just "threw ideas to the group that I thought up on the spur of the moment" in order to get the album finished in time. One of those ideas was the basic rift for No No No, a song that became part of the band's permanent rotating repertoire.

Artist:    Yes
Title:    Yours Is No Disgrace
Source:    CD: The Yes Album
Writer(s):    Anderson/Squire/Howe/Kaye/Bruford
Label:    Elektra/Rhino
Year:    1971
    1970 was a transition year for the progressive rock band known as Yes. Their first two albums, Yes and Time And A Word, had not sold well, and their label, Atlantic, was considering dropping them from their roster. Internally, creative differences between guitarist Peter Banks and the rest of the band led to Banks leaving the group, eventually forming his own band, Flash. The remaining members quickly recruited Steve Howe, who was making a name for himself as a studio musician following the breakup of Tomorrow a couple of years earlier. Howe proved to be a more than suitable replacement, as his versatility served the band's experimental style well. With Howe firmly in place, the group got to work on their third LP, The Yes Album. Unlike Yes's previous albums, which had each included a pair of highly rearranged cover songs (following a pattern set by such bands as Vanilla Fudge and Deep Purple), The Yes Album was made up entirely of original material, mostly written by vocalist Jon Anderson and bassist Chris Squire. Yours Is No Disgrace, however, which opens the album, is credited to the entire band, and gives each member a chance to shine without detracting from the band as a whole. The membership of Yes would continue to fluctuate, however, with keyboardist Tony Kaye, who did not share the rest of the band's enthusiam for the new synthesizers hitting the market, leaving shortly after the album was released, and drummer Bill Bruford following suit following the release of the band's fifth album, Close To The Edge. Eventually even Anderson and Squire would depart the group, leaving Steve Howe currently at the helm of a band containing none of its original members.    

Artist:    Beatles
Title:    Abbey Road Medley #1
Source:    CD: Abbey Road
Writer(s):    Lennon/McCartney
Label:    Apple/Parlophone
Year:    1969
    Much of the second side of the last album to be recorded by the Beatles, Abbey Road, is taken up by (depending on whose view you take) either one long medley or two not-quite-so-long medleys of songs written by John Lennon and Paul McCartney. Personally I take the former view, as there is just a bit too much quiet space at the end of She Came In Through The Bathroom Window for me to consider it linked to the next song, Golden Slumbers. Regardless, the whole thing starts with You Never Give Me Your Money, a Paul McCartney composition reputed to be a jab at the band's second (and last) manager, Allen Klein. This leads into three John Lennon pieces, Sun King, Mean Mr. Mustard and Polythene Pam, ending finally with another McCartney piece, She Came In Through The Bathroom Window, that was inspired by a real life break-in by an overzealous Beatle fan.

Artist:      Bloodrock
Title:     Fatback
Source:      CD: Bloodrock
Writer(s):    Grundy/Rutledge
Label:     One Way/Cema Special Markets (original label: Capitol)
Year:     1970
     Bloodrock had the mixed blessing of putting out one of the most notorious songs of the year 1970 when they recorded D.O.A.. The song was a huge hit, making them a household name overnight, but soon became an albatross after the novelty wore off. Bloodrock was a discovery of Terry Knight, who took them under his wing, booking them as the opening act for another band he managed, Grand Funk Railroad, on their 1970 tour. The band's first two LPs both were released in 1970. Although Bloodrock 2 was the better seller of the two, thanks to the inclusion of D.O.A., the first LP was a solid debut for the Dallas band. Lead vocalist Jim Rutledge, who had decided to take center stage on Bloodrock 2, was still behind the drum kit on the first LP, singing and playing on songs like Fatback.

Artist:    Grand Funk Railroad
Title:    Country Road (unedited original version)
Source:    CD: Survival (bonus track)
Writer(s):    Mark Farner
Label:    Capitol
Year:    1971
    The opening track of the fourth Grand Funk Railroad studio album, Survival, was a Mark Farner composition called Country Road. The song was probably chosen to open Survival because of its stylistic consistency with earlier Grand Funk Railroad albums. The version of Country Road heard on the album, however, differs significantly from the original seven and a half minute version of the song heard here. This original version includes a second verse and an entire new section not included on the album itself. Is it better? That's for you to decide.

Artist:    Temptations
Title:    War
Source:    LP: Psychedelic Shack
Writer(s):    Whitfield/Strong
Label:    Gordy
Year:    1970
    When the name Edwin Starr is mentioned, the first thing that comes to mind is the 1970 hit song War. The tune, written by producers Norman Whitfield and Barrett Strong, quickly became Starr's signature song. Starr's hit single, however, was not the first version of War to be produced by Whitfield and Stong. The song was originally included on the Temptations LP Psychedelic Shack, and had been seriously considered as a single release before the idea was vetoed by Motown head Berry Gordy, Jr., who did not want to take a chance on such on controversial song with his label's #1 vocal group.

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