https://exchange.prx.org/p/585541
What starts out as a 1969 show quickly becomes a trip through the years 1968 to 1975. A lot of good stuff in those years.
Artist: Led Zeppelin
Title: Good Times Bad Times
Source: CD: Led Zeppelin
Writer(s): Page/Jones/Bonham
Label: Atlantic
Year: 1969
When I was a junior in high school I used to occasionally hang out at the teen club on Ramstein AFB in Germany. One evening I was completely blown away by a new record on the jukebox. It was Good Times Bad Times by a group called Led Zeppelin. Although the members of my band knew better than to attempt to cover the song, another neighborhood group did take a shot at it with somewhat disastrous results at a gig that our two groups split on New Year's Eve of 1969-70. As I had a personal vendetta going against their bass player, I didn't feel too bad about the fact that we basically blew them out of the water that night, but over time I have come to regret doing that to the rest of the band (well, actually they did it to themselves), particularly their lead guitarist, who was actually a really nice guy. Sorry Jeff.
Artist: Open Mind
Title: Magic Potion
Source: British import CD: Love, Poetry And Revolution (originally released as 45 RPM single)
Writer(s): Brancaccio
Label: Grapefruit (original label: Philips)
Year: 1969
Originally known as the Drag Set, the Open Mind adopted their new name in late 1967. Not long after the change they signed a deal with Philips Records and recorded an album with producer Johnny Franz in 1968. Their greatest achievement, however, came the following year, when they released Magic Potion as a single. By that time, unfortunately, British psychedelia had run its course, and Open Mind soon closed up shop.
Artist: Quicksilver Messenger Service
Title: Edward, The Mad Shirt Grinder
Source: LP: Anthology (originally released on LP: Shady Grove)
Writer(s): Nicky Hopkins
Label: Capitol
Year: 1969
Due to being afflicted with Crohn's disease, keyboardist Nicky Hopkins found in the early 1960s that he was unable to withstand the rigors of touring with a band, and instead became the top studio pianist in the UK, appearing on records by the Who, the Kinks, the Rolling Stones, and even the Beatles, by the time he turned 25. In 1968 he decided to once again try joining a band, becoming an original member of the Jeff Beck Group. After that group disbanded the following year, Hopkins was invited to join a new band being formed by former studio guitarist Jimmy Page, but chose not to be a part of the group that came to be known as Led Zeppelin. Instead, he began recording with various San Francisco bands, including Jefferson Airplane, appearing onstage with them at Woodstock in August of 1969. Not long after that he became a full member of Quicksilver Messenger Service. His contributions drastically changed the sound of the band, particularly on Edward, The Mad Shirt Grinder, the longest track on the album Shady Grove (Edward being a nickname given to him by Brian Jones of the Rolling Stones a couple of years earlier). Hopkins would stick with Quicksilver for two more albums before returning to studio work in 1970.
Artist: Jethro Tull
Title: Serenade To A Cuckoo
Source: CD: This Was
Writer(s): Roland Kirk
Label: Chrysalis/Capitol (original label: Reprise)
Year: 1968
Jethro Tull did not, as a general rule, record cover tunes. The most notable exception is Roland Kirk's classic jazz piece Serenade To A Cuckoo, which was included on their first LP, This Was. For years, the Kirk version was out of print, making Jethro Tull's cover the only available version of this classic tune throughout the 1970s.
Artist: Beatles
Title: Here Comes The Sun
Source: CD: Abbey Road
Writer: George Harrison
Label: Apple/Parlophone
Year: 1969
In a way, George Harrison's development as a songwriter parallels the Beatles' "second career" as a studio band. His first song to get any attention was If I Needed Someone on the Rubber Soul album, the LP that marked the beginning of the group's transition from performers to studio artists. As the Beatles' skills in the studio increased, so did Harrison's writing skills, reaching a peak with the Abbey Road album. As usual, Harrison wrote two songs for the LP, but this time one of them (Something) became the first single released from the album and the first Harrison song to hit the #1 spot on the charts. The other Harrison composition on Abbey Road was Here Comes The Sun. Although never released as a single, the song has gone on to become Harrison's most enduring masterpiece.
Artist: Santana
Title: Incident At Neshabur
Source: CD: Abraxas
Writer(s): Gianquito/Santana
Label: Columbia
Year: 1970
Incident At Neshabur is one of many instrumental tracks on the second Santana album, Abraxas. In fact, among rock's elite, Carlos Santana is unique in that nearly half of his entire recorded output is instrumentals. This is in large part because, with the exception of an occassional backup vocal, Santana never sings on his records. Then again, with as much talent as he has as a guitarist, he really doesn't need to.
Artist: Yes
Title: I've Seen All Good People
Source: CD: The Yes Album
Writer(s): Anderson/Squire
Label: Elektra/Rhino (original label: Atlantic)
Year: 1971
I seem to vaguely recall once having a copy of Your Move on 45 RPM vinyl. It always seemed incomplete to me. Of course, that might be because Your Move is actually the first half of I've Seen All Good People, from The Yes Album. Strangely enough, the single actually made the top 40 back in 1971, although I don't recall ever hearing it on AM radio. The long album version, however, has long been a staple of classic rock radio. Hey, I gotta play a hit song once in a while, right?
Artist: Wishbone Ash
Title: Time Was
Source: CD: Argus
Writer(s): Turner/Turner/Upton/Powell
Label: MCA/Decca
Year: 1972
The most popular of Wishbone Ash's albums, Argus was the band's third effort, released in 1972. The album is full of medieval references on songs such as Time Was, the nine-minute opus that opens the LP. The album has proved so popular with the band's fans that Martin Turner's Wishbone Ash released a new studio re-recording of it in 2008, accompanied by a live Argus tour. Another former band member, Andy Powell, has since followed suit, with both groups performing Argus in its entirety as part of their stage repertoire.
Artist: Spooky Tooth
Title: All Sewn Up
Source: Stereo 45 RPM single (promo)
Writer(s): Jones/Wright
Label: Island
Year: 1973
Spooky Tooth probably went through more significant lineup changes than any other band during its short history. Formed in 1968, the original lineup only lasted through their second album, at which time bassist Greg Ridley left to join Humble Pie. Following their third LP, primary songwriter Gary Wright also left, and the remaining members disbanded a few months later. Wright, along with vocalist Mike Harrison, formed a new version of Spooky Tooth in 1972 that included future Foreigner guitarist Mike Jones. It was this lineup that recorded the album Witness, with it's single All Sewn Up, in 1973. After a couple more personnel changes, Spooky Tooth called it quits on November of 1974.
Artist: Frank Zappa
Title: Cosmik Debris
Source: CD: Apostrophe (')
Writer(s): Frank Zappa
Label: Zappa
Year: 1974
One of Frank Zappa's most memorable tunes, Cosmik Debris first appeared on his Apostrophe(') album in 1974. The album itself was recorded at the same time as the Mothers' Over-Nite Sensation, and features some of the same musicians, including George Duke, Jean-Luc Ponty and Napoleon Brock. The song, like many Zappa compositions, tells a story, in this case one of a mystical con artist and Zappa's refusal to be conned. The song uses the repeated line "Look here brother. Who you jivin' with that Cosmik Debris?", and contains references to other Zappa compositions, including Camarillo Brillo (from Over-Nite Sensation). The song was originally scheduled for release as a single, but instead appeared as the B side of an edited version of Don't Eat Yellow Snow when that track began gaining popularity due to excessive airplay on FM rock radio.
Artist: Robin Trower
Title: Shame The Devil
Source: LP: For Earth Below
Writer(s): Robin Trower
Label: Chrysalis
Year: 1975
For Earth Below was Robin Trower's third studio album, following up on the phenomenally successful Bridge Of Sighs LP. Structured along the same lines, the main difference between the two was the replacement of drummer Reg Isidore with Bill Lordan, a veteran of the Minnesota prog-rock band Gypsy, who would continue to work with Trower for the next half dozen years. Shame The Devil is the first track on For Earth Below.

I just want to congratulate you on playing Grand Funk Railroad the deep cuts that nobody else dares to play like inside looking out, into the sun. All you got is money ,sin a good man’s brother . I have been listening to the psychedelic error for years, and I am trying to find the right time to listen to dazed and confused program, I have many more requests for grand Funk, but one I would love to hear on the psychedelic error is paranoid off of the grand Funk red album that’s the one with the baby crying at the end one other would be off of survival. I can feel him in the morning with the little kids talking about. I’ve always thought God ! he could be sitting on the table right now, but you can’t see him. when I’m good, my mother never yells at me when I’m bad. She does good means to obey your mother and father and do what the teacher says and if you’re good, you’ll live forever and if you’re bad, you’ll die when you die die when you die die when you die. , that’s what the little kids say on survival I can feel him in the morning actually Don Brewer sings that that song. Mark Farner wrote it.. Thank you for reading this and keep doing what no one else is doing
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