https://exchange.prx.org/p/587313
This week we have an Advanced Psych set featuring tracks from all three decades of the 21st century. To balance it out, we also have the B side of the record that started the whole Pacific Northwest scene back in 1959. We also have a lot of tunes from 1967 this time around, and when you least expect it, a Rolling Stones set. It all starts with a long set of tunes from 1966.
Artist: Jefferson Airplane
Title: Let's Get Together
Source: LP: Jefferson Airplane Takes Off
Writer(s): Chet Powers (aka Dino Valenti)
Label: RCA Victor
Year: 1966
Although Dino Valenti recorded a demo version of his song Let's Get Together in 1964, it wasn't until two years later that the song made its first appearance on vinyl as a track on Jefferson Airplane Takes Off. The Airplane version of the song is unique in that the lead vocals alternate between Paul Kantner, Signe Anderson and Marty Balin, with each one taking a verse and all of them singing on the chorus.
Artist: Simon And Garfunkel
Title: A Simple Desultory Philippic (Or How I Was Robert MacNamara'd Into Submission)
Source: CD: Collected Works (originally released on LP: Parsley, Sage, Rosemary and Thyme)
Writer(s): Paul Simon
Label: Columbia
Year: 1966
Paul Simon's sense of humor is on full display on A Simple Desultory Philippic (Or How I Was Robert MacNamara'd Into Submission). The song first appeared, with slightly different lyrics on Simon's 1965 LP The Paul Simon Songbook, which was released only in the UK after Simon and Garfunkel had split following the disappointing sales of their first Columbia LP, Wednesday Morning 3AM. When the duo got back together following the surprise success of an electrified version of The Sound Of Silence, they re-recorded A Simple Desultory Philippic, including it on their third Columbia LP, Parsley, Sage, Rosemary and Thyme. The song is a deliberate parody/tribute to Bob Dylan, written in a style similar to It's Alright Ma (I'm Only Bleeding), and is full of sly references to various well-known personages of the time as well as lesser-known acquaintances of Simon himself.
Artist: Love
Title: Softly To Me
Source: Australian import CD: Comes In Colours (originally released on LP: Love)
Writer: Bryan MacLean
Label: Raven (original label: Elektra)
Year: 1966
Before the signing of Love in 1966, Elektra was a folk and ethnic music label whose closest thing to a rock band was the Paul Butterfield Blues Band, which was at that time very much into creating as authentic Chicago blues sound as possible for a band of mostly white boys from New York. Love, on the other hand, was a bona-fide rock band that was packing the clubs on the Sunset Strip nightly. To underscore the significance of the signing, Elektra started a whole new numbering series for Love's debut album. Bryan McLean's role as a songwriter in Love was similar to George Harrison's as a Beatle. He didn't have many songs on any particular album, but those songs were often among the best tracks on the album. The first of these was Softly To Me from the band's debut LP.
Artist: Yardbirds
Title: You're A Better Man Than I
Source: Mono Australian import CD: Over, Under, Sideways, Down (originally released in US on LP: Having A Rave Up With The Yardbirds)
Writer(s): Mike & Brian Hugg
Label: Raven (original label: Epic)
Year: 1965
Perhaps more than any other British Invasion band, the Yardbirds' US and UK catalogs varied considerably. This is because the band only released a pair of LPs in the UK, one of which was a live album, with the bulk of their studio output appearing on 45 RPM singles and EPs. In the US, on the other hand, the group released four (mostly) studio LPs, compiled from the various UK releases. One song, You're A Better Man Than I, actually came out on a US album four months before it was issued as a single B side in February of 1966 in the UK.
Artist: Eric And The Chessmen
Title: You Don't Want My Loving
Source: Mono German import LP: Sixties Rebellion Vol. 5-The Cave (originally released as 45 RPM single)
Writer(s): Eric Thorngren
Label: Way Back (original label: Kama)
Year: 1966
Utica, New York was home base for Eric And The Chessmen. Formed sometime around late 1964-early 1965, the band went through several personnel changes before recording their only single in 1966, a tune written by Eric Thorngren, the only remaining member of the original group.
Artist: Animals
Title: See See Rider
Source: CD: Retrospective (originally released on LP: Animalization)
Writer(s): Ma Rainey
Label: Abkco (original label: M-G-M)
Year: 1966
One of the last singles released by the original incarnation of the Animals (and the first to use the name Eric Burdon And The Animals on the label), See See Rider traces its roots back to the 1920s, when it was first recorded by Ma Rainey. The Animals version is considerably faster than most other recordings of the song, and includes a signature opening rift by organist Dave Rowberry (who had replaced founder Alan Price prior to the recording of the Animalization album that the song first appeared on) that is unique to the Animals' take on the tune.
Artist: Troggs
Title: Wild Thing
Source: Simulated stere LP: History Of British Rock (originally released as 45 RPM single)
Writer: Chip Taylor
Label: Sire (original label: Fontana)
Year: 1966
I have a DVD copy of a music video (although back then they were called promotional films) for the Troggs' Wild Thing in which the members of the band are walking through what looks like a train station while being mobbed by girls at every turn. Every time I watch it I imagine singer Reg Presley saying "giggity-giggity" as he bobs his head.
Artist: Mystery Trend
Title: Johnny Was A Good Boy
Source: Mono CD: Love Is The Song We Sing: San Francisco Nuggets 1965-70 (originally released as 45 RPM single)
Writer(s): Nagle/Cuff
Label: Rhino (original label: Verve)
Year: 1967
The Mystery Trend was a bit of an anomaly. Contemporaries of bands such as the Great! Society and the Charlatans, the Trend always stood apart from the rest of the crowd, playing to an audience that was both a bit more affluent and a bit more "adult" (they were reportedly the house band at a Sausalito strip club). Although they played in the city itself as early as 1965, they did not release their first record until early 1967. The song, Johnny Was A Good Boy, tells the story of a seemingly normal middle-class kid who turns out to be a monster (without actually specifying what he did), surprising friends, family and neighbors. Despite being an excellent tune, the song's lyrics were way too dark for top 40 radio in 1967, and the record sank like a stone.
Artist: Al Kooper/Mike Bloomfield/John Kahn/Skip Prokoff
Title: That's All Right
Source: Mono German import LP: The Blues (originally released on LP: The Live Adventures of Mike Bloomfield And Al Kooper)
Writer(s): Arthur Crudup
Label: CBS (original US label: Columbia)
Year: 1968
Quickly following up on the success of the Super Session album, Al Kooper organized a live concert at the Fillmore West in late September that resulted in a double-LP called The Live Adventures of Mike Bloomfield And Al Kooper that was released at the end of the year. The album is notable for including the first recorded lead vocals by guitarist Mike Bloomfield on the Arthur Crudup standard That's All Right.
Artist: Pink Floyd
Title: Fearless
Source: CD: Meddle
Writer(s): Waters/Gilmour/Rodgers/Hammerstein
Label: Pink Floyd (original label: Harvest)
Year: 1971
If you were to ask several Americans in the sixties to name a psychedelic band you probably would receive several answers. If you asked several Englishmen during the same era you likely would have gotten the same answer from all of them: Pink Floyd. By 1971 the band was well on the way to establishing the sound that would define them throughout the decade with the album Meddle. The experimental nature of the band is on display in the song Fearless, which incorporates field recordings of a crowd of soccer fans singing You'll Never Walk Alone disappearing into a mass of reverberation at the end of the song.
Artist: Guess Who
Title: American Woman
Source: Stereo 45 RPM single
Writer: Bachman/Cummings/Peterson/Kale
Label: BMG/RCA
Year: 1970
From 1968-1970 I was living on Ramstein Air Base, which was and is a huge base in Germany with enough Canadian personnel stationed there to justify their own on-base school. For much of the time I lived there I found myself hanging out with a bunch of Canadian kids and I gotta tell you, they absolutely loved everything by the Guess Who, who were, after all, the most successful Canadian band in history. In particular, they all loved the band's most political (and controversial) hit, the 1970 tune American Woman. I rather liked it myself, and immediately went out and bought a copy of the album, one of the first to be pressed on RCA's Dynaflex vinyl. Luckily, the album is now available on CD, which sounds much better than Dynaflex ever did.
Artist: Santana
Title: Treat
Source: CD: Santana
Writer(s): Santana (band)
Label: Columbia/Legacy
Year: 1969
Guitarist Carlos Santana's original band was known to the San Francisco area as a jam band with a decidedly Latino flavor. Promoter Bill Graham convinced the band to write more structured material for their first LP, which was released in 1969. Although not an instant success, the album, buoyed by the group's appearance at Woodstock, eventually reached the # 4 spot on the Billboard Top 200 Albums chart. Treat, a fairly representative example of the group's early style, is indeed structured, yet maintains much of the band's free-flowing energy through several style and tempo changes.
Artist: First Edition
Title: Just Dropped In (To See What Condition My Condition Was In)
Source: 45 RPM single
Writer: Mickey Newbury
Label: Reprise
Year: 1967
Kenny Rogers has, on more than one occassion, tried to put as much distance between himself and the 1968 First Edition hit Just Dropped In (To See What Condition My Condition Was In) as possible. I feel it's my duty to remind everyone that he was the lead vocalist on the recording, and that this song was the one that launched his career. So there.
Artist: Janis Ian
Title: I'll Give You A Stone If You Throw It (Changing Tymes)
Source: LP: Janis Ian
Writer: Janis Ian
Label: Polydor (original label: Verve Folkways)
Year: 1967
Janis Ian got her first poem published in a national magazine at age 12. Not content with mere literary pursuits, the talented Ms. Ian turned to music. After being turned down by several major labels, Ian finally got a contract with the tiny New Sounds label and scored her first major hit with Society's Child, a song about interracial dating that was banned on several stations in the southern US. This led to her self-titled debut album at age 15, and a contract with M-G-M subsidiary Verve Folkways. I'll Give You A Stone If You Throw It (Changing Tymes) is taken from that first LP.
Artist: Nice
Title: Tantalising Maggie
Source: CD: The Thoughts Of Emerlist Davjack
Writer(s): Jackson/Emerson
Label: Fuel 2000 (original label: Immediate)
Year: 1967
The Nice, the first band to fuse rock, jazz and classical music, creating a totally new genre in the process, had rather unique origins. In 1966 Ike and Tina Turner did a tour of England, with their backup vocal group, the Ikettes, in tow. One of the Ikettes, P.P. Arnold, made such a strong impression on both Mick Jagger and his manager/producer, Andrew Loog Oldham, that they convinced her to stay in London and embark on a solo career. Starting in April of 1967, Oldham, who was in the process of setting up his own record label, set about putting together a band to back her up. Oldham's first recruit was bassist Lee Jackson of the local R&B group Gary Farr and the T-Bones. Jackson soon brought in former fellow T-Bone Keith Emerson, who was already getting a reputation as the London club circuit's hottest Hammond organ player. The two of them soon recruited guitarist Davy O'List and drummer Brian Davison to complete the new band, which Oldham had already decided would be called the Nice. To save money, Oldham, instead of hiring an opening act, let the Nice do a short warmup set before being joined by Arnold onstage. Since Arnold herself performed a fairly standard mix of R&B and soul songs, the Nice were encouraged to create something different for their own set. That "something different" ended up being a mix of jazz, classical and psychedelic rock that had never been heard before. It wasn't long before the Nice, with their new "progressive rock" sound, became a bigger attraction than Arnold herself, and by the end of the year the Nice had signed with Oldham's new label, Immediate Records. In December of 1967 The Thoughts Of Everlist Davjack (the title being an amalgamation of the members' last names) was released. Early releases of the album gave shared songwriting credits to the entire band. The CD reissue of The Thoughts Of Everlist Davjack, however, is more specific, with Emerson and Jackson sharing writing credit on tracks like Tantalising Maggie.
Artist: Wailers
Title: Road-Runner
Source: 45 RPM single B side
Writer(s): Dangel/Greek
Label: Golden Crest
Year: 1959
Golden Crest was not a rock label, yet in 1959 they released what has been called the very first American garage-rock record: Tall Cool One by the Tacoma, Washington band the Wailers (sometimes known as the Fabulous Wailers to distinguish them from Bob Marley's band). The B side of that record, Road-Runner, was an even better example of garage rock. The record was recorded in New York, but the band chose to return to Tacoma following it's release. This prompted Golden Crest to cancel the band's contract, which turned out to be a plus for the band when, after a couple of personnel changes, three of the band members formed their own label, Etiquette Records, which added the Sonics to their roster in 1964 and is still in existence today (unlike Golden Crest, which folded in 1984).
Artist: Mommyheads
Title: Genius Killer
Source: CD: Genius Killer
Writer(s): Adam Cohen
Label: Mommyhead Music
Year: 2022
The Mommyheads are one of those rare bands that were able to recover from being totally screwed over by a major record company, although the process took several years. Formed around 1987 in New York, they already had several releases on independent labels by the time they signed with Geffen and recorded the album called The Mommyheads in 1997. Before the album was even released, however, the band was dropped from the label due to a company-wide shakeup, and within a few months had disbanded altogether. Nearly ten years later, following a reunion concert, the Mommyheads once again became a working band, re-releasing some of their earlier material over the next few years. In 2011 they released Delicate Friction, their first album of all-new material since the 1990s. Since then they have been releasing albums on a somewhat steady basis, including the 2020 re-release of their 1997 major label debut album. Their most recent release is Genius Killer, which came out on September, 20, 2022.
Artist: Sand Pebbles
Title: Bees Around The Honey
Source: CD: A Thousand Wild Flowers (originally released in Australia on CD: Ceduna)
Writer(s): Sand Pebbles
Label: Sensory Projects
Year: 2008
Neighbours is the longest-running drama series on Australian television, having aired its first episode in March of 1985. It is also the unlikely origin point for Sand Pebbles, a band formed in 2001 by three Neighbours screenwriters. Those three founding members, bassist Christopher Hollow, guitarist Ben Michael and drummer Piet Collins were soon joined by guitarist/vocalist Andrew Tanner. The band's fourth album, Ceduna, released in 2008, also featured guitarist/vocalist Tor Larsen. The following years the Sand Pebbles released A Thousand Wild Flowers, a compilation album made up of tracks from their previous releases such as Bees Around The Honey, as their first CD geared toward the US market.
Artist: Sugar Candy Mountain
Title: 666
Source: LP: 666
Writer(s): Reiter/Halsey
Label: People In A Position To Know
Year: 2016
It's easy to read something into both the band name and album title of the 2016 release 666 by Sugar Candy Mountain. It's better, however, to not do any of that and instead simply listen to any of the album's 10 tracks for what they are: good music. Sugar Candy Mountain was officially formed on 2011 by guitarist/vocalist Ash Reiter and multi-instrumentalist Will Halsey, natives of Oakland, California who relocated to Joshua Tree not long after the band was formed. They are joined on the album's title track by guitarist Bryant Denison and keyboardist Jason Quever (who also mixed the album).
Artist: Byrds
Title: Turn! Turn! Turn!
Source: Simulated Stereo CD: The Best Of 60s Supergroups (originally released as 45 RPM single and included on LP: Turn! Turn! Turn!)
Writer(s): Pete Seeger
Label: Priority (origina label: Columbia)
Year: 1965
After their success covering Bob Dylan's Mr. Tambourine Man, the band turned to an even more revered songwriter: the legendary Pete Seeger. Turn! Turn! Turn!, with lyrics taken directly from the book of Ecclesiastes, was first recorded by Seeger in the early 60s, nearly three years after he wrote the song. The song was never mixed in true stereo, forcing the band's record label to use a simulated stereo mix on stereo copies of the LP. Once monoraul albums were phased out in the late 1960s, this "fake" stereo version remained the only one available for many years, appearing on various compilations before a mid-1990s remaster of the Turn! Turn! Turn! album used the original mono mix.
Artist: The Raik's Progress
Title: I'm Going To Change The World
Source: Mono LP: Sewer Rat Love Chant
Writer(s): Eric Burdon
Label: Sundazed
Year: Recorded 1966, released 2003
"A bunch of 17-year-old quasi-intellectual proto-punks" was how Steve Krikorian, later to be known as Tonio K, described his first band. Krikorian, along with friends Alan Shapazian, Steve Olson, Nick van Maarth, and Duane Scott, formed The Raik's Progress in 1966 in Fresno, California. By the end of the year they had already cut a single for a major label (Liberty) and would soon find themselves opening for Buffalo Springfield at San Francisco's Fillmore Auditorium. The Raik's Progress was best known for their stage show, which included sitting down and playing a game of poker between songs and other strange antics. Their music was equally eccentric, in that it combined influences from the more blues oriented British Invasion bands like the Animals and Them with an avant-garde sensibility more in line with what Frank Zappa's Mothers were doing at the time. Although they only released one single, the band did manage to record an album's worth of material before disbanding. Those tunes, including a cover of an obscure Animals B side called I'm Going To Change The World, were finally released on an LP called Sewer Rat Love Chant in 2003.
Artist: Cherry Slush
Title: I Cannot Stop You
Source: Mono LP: Nuggets Vol. 2 (originally released as 45 RPM single)
Writer(s): Dick Wagner
Label: Elektra (original labels: Coconut Grove/USA)
Year: 1967
I Cannot Stop You, released by the Cherry Slush in 1967, has the distinction of being one of the few garage-rock singles to show up on all three of the US charts: Billboard, Cashbox and Record World. Not that it charted particularly high on all of them (its highest position was #35 on the Cashbox chart), but it was successful enough to keep the band going for a couple more years. The group was originally formed in late 1964 as the Wayfarers by a group of eigth-graders at Saginaw's Arthur Hill High School. As one of the first garage bands to jump on the folk-rock bandwagon they changed their name to the Bells Of Rhymny in 1966. That year, the band recorded a few demos that they later played for Dick Wagner, a popular local guitarist who fronted his own band, the Bossmen. Wagner liked what he heard and agreed to produce their first single, a song he wrote himself called The Wicked Old Witch. The song was released on the local Dicto label. The band recorded Wagner's I Cannot Stop You as a followup single, but personnel changes and a search for a record deal delayed the song's release until late in the year, by which time the band had changed its name to the Cherry Slush. Once the single had been released, on the local Coconut Grove label, it quickly gained popularity on local top 40 radio, and the band was close to signing with Columbia Records when they found out their contract with Coconut Grove had been sold to the Chicago based USA label, which reissued the song nationally in early 1968. Unfortunately, USA itself went bankrupt just as the band was releasing their next single, dashing their hopes of breaking out nationally. After releasing one more single (as The Slush) on yet another small local label (Chivalry) the group decided to call it quits in 1969.
Artist: H.P. Lovecraft
Title: Mobius Trip
Source: CD: Two Classic Albums from H. P. Lovecraft (originally released on LP: H.P. Lovecraft II)
Writer(s): George Edwards
Label: Collector's Choice (original label: Philips)
Year: 1968
The second album by H.P. Lovecraft (the band, not the author) is sometimes referred to as the ultimate acid rock album. In fact, it has been rumoured to be the first album made entirely under the influence of LSD (although the same has been said of the 1967 Jefferson Airplane LP After Bathing At Baxter's and both albums by the 13th Floor Elevators as well). This may in part because the band had relocated from their native Chicago to Marin County, California, where they shared billing with established Bay Area bands like Big Brother and the Holding Company and the aforementioned Jefferson Airplane. The album also featured more original material than the band's debut LP, including the lounge-lizard-on-acid sounding Mobius Trip.
Artist: Bill Wyman (Rolling Stones)
Title: In Another Land
Source: LP: Their Satanic Majesties Request
Writer(s): Bill Wyman
Label: London
Year: 1967
During recording sessions for the late 1967 Rolling Stones album Their Satanic Majesties Request bassist Bill Wyman made a forty-five minute drive to the studio one evening only to find out that the session had been cancelled. The band's manager and producer, Andrew Loog Oldham, managed to salvage the moment by asking Wyman if he had any song ideas he'd like to work on while he was there. As it turned out, Wyman had just come up with a song called In Another Land, about waking up from a dream only to discover you are actually still dreaming. Utilizing the talents of various people on hand, including Steve Marriott, Brian Jones, Charlie Watts and Nicky Hopkins, Wyman recorded a rough demo of his new tune. When Mick Jagger and Keith Richards heard the song they liked it so much that they added background vocals and insisted the track be used on the album and released as a single by Bill Wyman (with another track from the LP on the B side credited to the entire band). They even went so far as to give Wyman solo artist credit on the label of the LP itself (the label reads: Their Satanic Majesties Request by the Rolling Stones*, with the next line reading *by Bill Wyman), with an asterisk preceeding the song title in the track listing. Wyman reportedly hated the sound of his own voice on the song, and insisted that a tremelo effect be added to it in the final mix. The snoring at the end of the track is Wyman himself, as captured in the studio by Mick and Keith.
Artist: Rolling Stones
Title: Lady Jane
Source: CD: Flowers (originally released as 45 RPM single B side)
Writer(s): Jagger/Richards
Label: Abkco (London)
Year: 1966
One of the best 60s Rolling Stones albums is 1966's Aftermath, which included such classics as Under My Thumb, Stupid Girl and the eleven-minute Goin' Home. Both the US and UK versions of the LP included the song Lady Jane, which was also released as the B side to Mother's Little Helper (which had been left off the US version of Aftermath to make room for Paint It, Black). The policy at the time was for B sides that got a significant amount of airplay to be rated separately from the A side of the single, and Lady Jane managed to climb to the # 24 spot on the Hot 100 (Mother's Little Helper peaked at # 8). Both tunes were also included on the 1967 LP Flowers.
Artist: Rolling Stones
Title: Sing This All Together (See What Happens)
Source: LP: Their Satanic Majesties Request
Writer: Jagger/Richards
Label: London
Year: 1967
Following the critical and commercial success of the Beatles Sgt. Pepper's Lonely Hearts Club Band, the Stones responded with their most psychedelic album ever, Their Satanic Majesties Request, with its own cover parodying the Sgt. Pepper cover. As an added touch, the Stones album featured cover art done on special holographic paper (the same material used for holo rings purchased from bubble gum machines) to simulate a 3D effect. The first side wrapped up with the nearly eight-minute Sing This All Together (See What Happens), a sort of psychedelic jam track featuring an unusual array of instruments and effects.
Artist: Kinks (Dave Davies)
Title: Death Of A Clown
Source: LP: Something Else
Writer(s): Ray and Dave Davies
Label: Reprise
Year: 1967
The first Kinks album to be recorded and mixed in stereo, Something Else was virtually ignored in the US, where the band had been banned from performing since 1964. In the UK, however, the album was another in a series of successes for the band. One of the songs from that album, Death Of A Clown, featured lead guitarist and co-writer Dave Davies on lead vocals. Even though the entire band played on the track, the song was released as Dave Davies solo debut single, hitting the UK top 10 in the fall of 1967.
Artist: Fallen Angels
Title: Mother's Homesick Too
Source: British import CD: Ah Feel Like Ahcid (originally released in US on LP: Fallen Angels)
Writer(s): Decker/Meier
Label: Zonophone (original label: Roulette)
Year: 1967
Washington, DC, was home to the Fallen Angels, an off-the-wall band that evolved from another DC band, the Mad Hatters, in 1965. Descrbing themselves as "ravenous mimics with a penchant for political satire", the Angels began their recording career with an indie single and a pair of 45s for the Laurie label before signing with the then-powerful Roulette label in 1967. Their self-titled debut LP, including the song Mother's Homesick Too, hit the racks in 1967. After their second album, It's A Long Way Down, failed to make a commercial impression, the group disbanded in 1969, only to reunite for a third album, Rain Of Fire, nearly 30 years later.
Artist: Electric Prunes
Title: Are You Lovin' Me More (But Enjoying It Less)
Source: Mono LP: The Electric Prunes
Writer(s): Tucker/Mantz
Label: Reprise)
Year: 1967
For a follow-up to the hit single I Had Too Much To Dream (Last Night), producer Dave Hassinger chose another Annette Tucker song (co-written by Jill Jones) called Get Me To The World On Time. This was probably the best choice from the album tracks available, but Hassinger may have made a mistake by choosing Are You Lovin' Me More (But Enjoying It Less) as the B side. That song, written by the same Tucker/Mantz team that wrote I Had Too Much To Dream (Last Night) could quite possibly been a hit single in its own right if it had been issued as an A side. I guess we'll never know for sure.
Artist: Crosby, Stills And Nash
Title: Helplessly Hoping
Source: LP: Crosby, Stills and Nash
Writer(s): Stephen Stills
Label: Atlantic
Year: 1969
By 1969 there was a significant portion of the record-buying public that was more interested in buying albums than in picking up the latest hit single. This in turn was leading to the emergence of album-oriented FM radio stations as a player in the music industry. Crosby, Stills and Nash took full advantage of this trend. Although they did release a pair of singles from the debut LP (Marrakesh Express and Suite: Judy Blue Eyes), it was their album tracks like Helplessly Hoping that got major airplay on FM radio and helped usher in the age of the singer/songwriter, making the trio superstars in the process.
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