https://exchange.prx.org/pieces/361870-dc-2112
In the Days of Confusion, things tended to spiral out of control rather quickly. This week's show is a perfect example of that, as it starts off (after a Patti Smith track to set the tone) with a set of tunes from 1968, but then goes off in an unexpected direction for the remainder of the hour.
Artist: Patti Smith Group
Title: Ask The Angels
Source: LP: Radio Ethiopia
Writer(s): Smith/Kral
Label: Arista
Year: 1976
Patti Smith's second LP, Radio Ethiopia, was, in some ways, a deliberate attempt at commercial success. As such, it received mixed reviews from the rock press for songs such as Ask The Angels, the LP's opening track. The song, which was released as the album's third single, was co-written by bassist Ivan Kral, who was the band member pushing the hardest for commercial success.
Artist: Cream
Title: Born Under A Bad Sign
Source: CD: Wheels Of Fire
Writer: Jones/Bell
Label: Polydor (original label: Atco)
Year: 1968
Eric Clapton, Jack Bruce and Ginger Baker were pretty much considered the cream of the crop of the British blues scene in the mid 1960s, so it came as no surprise when they decided to call their new band Cream. Although the trio would go on to record several memorable non-blues tunes such as I Feel Free and White Room, they never completely abandoned the blues. Born Under A Bad Sign, originally recorded by Albert King for the Stax label and written by labelmates William Bell and Booker T. Jones, is one of the better known tracks from Cream's double-LP Wheels Of Fire, the last album released while the band was still together.
Artist: Creedence Clearwater Revival
Title: Gloomy
Source: LP: Creedence Clearwater Revival
Writer(s): John Fogerty
Label: Fantasy
Year: 1968
If there is any one song that reflects the fact that the first Creedence Clearwater Revival album was, in fact, a recording made in San Francisco in 1968, it's Gloomy, from that same album. The song starts off with a "Spoonful" kind of vibe, but soon picks up the tempo and, thanks to some reverse-recorded guitar, becomes almost psychedelic by the end of the track. Songwriter John Fogerty would end up taking the band in an entirely different direction on subsequent albums, but it is interesting to hear them as part of the "San Francisco Sound" in their early days.
Artist: Deep Purple
Title: River Deep, Mountain High
Source: CD: The Book Of Taleisyn
Writer(s): Barry/Specter/Greenwich
Label: Eagle (original label: Tetragrammaton)
Year: 1968
The big, spectacular production piece on Deep Purple's second LP, The Book Of Taleisyn, was a ten minute long cover of Tina Turner's 1966 single (credited to Ike And Tina Turner, though it was actually produced by Phil Spector) River Deep, Mountain High. The original Turner version had mysteriously stalled out in the #88 spot in the US, although it was a #3 hit single in the UK. For Deep Purple, the reverse held true, as the album, released in late 1968, was a success in the US (#54 on the Billboard LP chart) but did not chart at all in the UK, where it was not released until mid-1969. The song itself would be covered by several notable artists over the subsequent years, including Eric Burdon And The Animals and a collaboration between the Supremes and the Four Tops that would become the highest-charting US version of the song in 1970.
Artist: Beatles
Title: Because
Source: CD: Abbey Road
Writer(s): Lennon/McCartney
Label: Apple/Parlophone
Year: 1969
Take Beethoven's Moonlight Sonata. Turn a few notes around, add some variations and write some lyrics. Add the Beatles' unmistakeable multi-part harmonies and you have John Lennon's Because, from the Abbey Road album. A simply beautiful recording.
Artist: Jethro Tull
Title: Bourée
Source: European import LP: Stand Up
Writer: J.S. Bach, arr. Ian Anderson
Label: Chrysalis
Year: 1969
The second Jethro Tull album, Stand Up, saw the band moving a considerable distance from its blues-rock roots, as flautist Ian Anderson asserted himself as leader and sole songwriter for the group. Nowhere is that more evident than on the instrumental Bourée, an adaptation of a Johann Sebastian Bach piece that successfully melds jazz and classical influences into the Jethro Tull sound.
Artist: Melanie
Title: Lay Down (Candles In The Rain)
Source: European import CD: Pure...Psychedelic Rock (originally released on LP: Candles In The Rain)
Writer(s): Melanie Safka
Label: Sony Music (original label Buddah)
Year: 1970
When it comes to songs inspired by the Woodstock festival, the most famous is, by far, Joni Mitchell's Woodstock, which became a huge hit for Crosby, Stills, Nash & Young in 1970. The thing about that song, however, is that Mitchell herself was not actually at the festival, having famously been advised by her manager to appear on the Dick Cavett show instead. The most famous Woodstock song written (and sung) by someone who was actually there, was Melanie's Lay Down (Candles In The Rain), which was also a huge hit in 1970. New York born Melanie Safka was still virtually unknown in the US when she became one of three female solo artists to appear at Woodstock, although she did have a strong following in Europe thanks to the success of Bobo's Party and Beautiful People, the latter of which she performed on the Woodstock stage. Whereas Mitchell's Woodstock was a description of the festival itself, Lay Down (Candles In The Rain) is more about the spirit of both the crowd and many of the performers, focusing particularly on Melanie's own performance and the crowd reaction to it. The recorded song, from the album Candles In The Rain, was a collaboration between Melanie and the Edwin Hawkins Singers, who's Oh, Happy Day was a top five single in the months leading up to the Woodstock festival.
Artist: Premiati Forneria Marconi
Title: Celebration
Source: LP: Cook
Writer(s): Mussida/Pagani/Sinfield
Label: Manticore
Year: 1973
The most popular song in the PFM catalogue, Celebration is a re-recording of a song called E Festa from the band's 1971 debut album, Storia di un minuto. The 1973 Photos Of Ghosts recording of Celebration features all new lyrics by Peter Sinfield, who was also working with Emerson, Lake And Palmer, who had signed PFM to their Manticore label for their US releases. The eight-minute long live version of the song was included on the 1973 album Live In USA, which was released in the US as Cook.
Artist: Yes
Title: America
Source: CD: Yesterdays (originally released in UK on LP: The New Age of Atlantic)
Writer: Paul Simon
Label: Atlantic
Year: 1972
Following the success of the Fragile album and the hit single Roundabout, Yes went into the studio to cut a ten and a half minute cover of Paul Simon's America for a UK-only sampler album called The New Age Of Atlantic. The track was then edited down for single release in the US as a followup to Roundabout. The original unedited track was finally released in the US on the 1974 album Yesterdays, which also included several tracks from two earlier Yes albums that featured an earlier lineup of the band that included guitarist Peter Banks and keyboardist Tony Kaye. Paul Simon's America was, in fact, the only track on Yesterdays that featured the classic Yes lineup of Jon Anderson, Steve Howe, Chris Squires, Bill Bruford and Rick Wakeman.
Artist: Grand Funk Railroad
Title: Rock 'N' Roll Soul
Source: 45 RPM single (promo)
Writer: Mark Farner
Label: Capitol
Year: 1972
By 1972 Grand Funk Railroad's performances were no longer all sellouts, and the band began to shift emphasis to their recorded work. Problems with Terry Knight's management practices were also becoming an issue, and their sixth studio LP, Phoenix, would be the last to be produced by Knight. Rock 'N' Roll Soul, a somewhat typical Mark Farner song, was the first and only single released from the album, and would have only minor success on the charts. The next record, We're An American Band, would signal a major change of direction for the band, with other members besides Farner taking a role in the songwriting and a much greater emphasis on hit singles than ever before.
No comments:
Post a Comment