https://exchange.prx.org/p/522156
A lot of artists' sets this week, including a new battle of the bands between two of the original British invasion bands. Also, a final half hour jam packed full of obscurities to finish out the week.
Artist: Them
Title: Mystic Eyes
Source: 45 RPM single
Writer: Van Morrison
Label: Parrot
Year: 1965
The opening track of the first Them album (2nd track on the US version) was a song that started off as an extended studio jam, with vocalist Van Morrison playing harmonica and ad-libbing vocals as the band played behind him. Luckily the tape recorder was on for the whole thing and, with a little editing the track became the group's second biggest US hit, Mystic Eyes.
Artist: Music Machine
Title: Masculine Intuition
Source: CD: The Very Best Of The Music Machine-Turn On (originally released on LP: Turn On The Music Machine)
Writer: Sean Bonniwell
Label: Collectables (original label: Original Sound)
Year: 1966
If you take out the cover songs that Original Sound Records added to the album without the band's knowledge or approval, Turn On The Music Machine has to be considered one of the best LPs of 1966. Not that the covers were badly done, but they were intended to be used for lip synching on a local TV show and were included without the knowledge or approval of the band, and that's never a good thing. Every one of the Sean Bonniwell originals on the other hand, combines strong musical structure and intelligent lyrics with musicianship far surpassing the average garage band. This is especially true in the case of Masculine Intuition, which was also issued as the B side of the band's second single.
Artist: Moby Grape
Title: Omaha
Source: LP: Moby Grape
Writer(s): Skip Spence
Label: Columbia
Year: 1967
As an ill-advised promotional gimmick, Columbia Records released five separate singles concurrently with the first Moby Grape album. Of the five singles, only one, Omaha, actually charted, and it only got to the #86 spot. Meanwhile, the heavy promotion by the label led to Moby Grape getting the reputation of being over-hyped, much to the detriment of the band's career.
Artist: Simon and Garfunkel
Title: Mrs. Robinson
Source: CD :Collected Works (originally released on LP: Bookends)
Writer(s): Paul Simon
Label: Columbia
Year: 1968
Possibly the most enduring song in the entire Simon And Garfunkel catalog, Mrs. Robinson (in an edited version) first appeared on the soundtrack for the film The Graduate in 1967. It wasn't until the Bookends album came out in 1968 that the full four minute version was released. Also released as a single, the song shot right to the top of the charts, staying there for several weeks.
Artist: Byrds
Title: Mr. Spaceman
Source: 45 RPM single
Writer(s): Jim McGuinn
Label: Columbia
Year: 1966
Both Jim (now Roger) McGuinn and David Crosby were science fiction fans, which became evident with the release of the Byrds' third album, Fifth Dimension. The third single released from that album, Mr. Spaceman, was in fact, a deliberate attempt to contact extra-terrestrials through the medium of AM radio. It was McGuinn's hope that ETs monitoring Earth's airwaves would hear the song and in some way respond to it, perhaps even contacting the band members themselves. Of course McGuinn didn't realize at the time that AM radio waves tend to disperse as they travel away from the Earth, making it unlikely that the signals would be picked up at all. Now if someone wants to beam this week's edition of Stuck in the Psychedelic Era out into the universe...
Artist: Byrds
Title: C.T.A.-102
Source: CD: Younger Than Yesterday
Writer(s): McGuinn/Hippard
Label: Columbia
Year: 1967
Roger McGuinn of the Byrds always exhibited an interest in the subject of extraterrestrial life. C.T.A.-102, from the Younger Than Yesterday album, addresses this subject from the angle of aliens tuning in to earth broadcasts to learn our language and culture and finding themselves exposed to rock and roll (and apparently liking it). The song was co-written by McGuinn's like-minded friend, Bob Hippard.
Artist: Byrds
Title: What's Happening?!?!
Source: 45 RPM single B side
Writer(s): David Crosby
Label: Columbia
Year: 1966
David Crosby was just beginning to emerge as a songwriter on the third Byrds album, 5D. Most of his contributions on the album were collaborations with Jim (Roger) McGuinn; What's Happening!?!, on the other hand, was Crosby's first solo composition to be recorded by the group.
Artist: Beatles
Title: Norwegian Wood
Source: CD: Rubber Soul
Writer(s): Lennon/McCartney
Label: Parlophone (original label: Capitol)
Year: 1965
The first Beatles song to feature a sitar, Norwegian Wood, perhaps more than any other song, has come to typify the new direction songwriters John Lennon and Paul McCartney began to take with the release of the Rubber Soul album in December of 1965. Whereas their earlier material was written to be performed as well as recorded, songs like Norwegian Wood were first and foremost studio creations. The song itself was reportedly based on a true story and was no doubt a contributing factor to the disintegration of Lennon's first marraige.
Artist: Cream
Title: I Feel Free
Source: LP: Fresh Cream
Writer(s): Bruce/Brown
Label: Atco
Year: 1966
After an unsuccessful debut single (Wrapping Paper), Cream scored a bona-fide hit in the UK with their follow-up, I Feel Free. As was the case with nearly every British single at the time, the song was not included on Fresh Cream, the band's debut LP. In the US, however, hit singles were commonly given a prominent place on albums, and the US version of Fresh Cream actually opens with I Feel Free. To my knowledge the song, being purely a studio creation, was never performed live by the band.
Artist: Third Bardo
Title: I'm Five Years Ahead Of My Time
Source: Mono British import CD: Ah Feel Like Ahcid (originally released in US as 45 RPM single)
Writer(s): Evans/Pike
Label: Zonophone (original label: Roulette)
Year: 1967
The Third Bardo (the name coming from the Tibetan Book of the Dead) only released one single, but I'm Five Years Ahead Of My Time has become, over a period of time, one of the most sought-after records of the psychedelic era. Not much is known of this New York band made up of Jeffrey Moon (vocals), Bruce Ginsberg (drums), Ricky Goldclang (lead guitar), Damian Kelly (bass) and Richy Seslowe (guitar).
Artist: Blossom Toes
Title: When The Alarm Clock Rings
Source: CD: Nuggets II-Original Artyfacts From The British Empire And Beyond 1964-1969 (originally released in UK on LP: We Are Ever So Clean)
Writer(s): Jim Cregan
Label: Rhino (original label: Marmalade)
Year: 1968
Originally known as the Ingoes, Blossom Toes were discovered playing in Paris (where they had released an EP) by Giorgio Gomelsky, manager of the Yardbirds, who signed them to his own label, Marmalade, in 1967. Everyone on the British music scene was talking about (and listening to) the Beatles' Sgt. Pepper's Lonely Hearts Club Band, trying to figure out how to apply the album's advanced production techniques to their own material, including Gomelsky and Blossom Toes. The result was an album called We Are Ever So Clean, one of the first post-Sgt. Pepper albums to be released in the UK. When The Alarm Clock Rings shows just how strong the Sgt. Pepper's influence was in late 1967.
Artist: Traffic
Title: Feelin' Alright
Source: LP: Best Of Traffic (originally released on LP: Traffic)
Writer: Dave Mason
Label: United Artists
Year: 1968
Dave Mason left Traffic after the band's first album, Mr. Fantasy, but returned in time to contribute several songs to the band's eponymous second album. Among those was his most memorable song, Feelin' Alright, which would become one of the most covered songs in rock history.
Artist: Traffic
Title: Paper Sun
Source: CD: Heaven Is In Your Mind
Writer(s): Winwood/Capaldi
Label: Island (original label: United Artists)
Year: 1967
There were several notable differences between the US and UK versions of the first Traffic album. For one thing they had different titles. In the US the album was called Heaven Is In Your Mind when it was released in early 1968 in the hope that the single of the same name would be a hit. When it became evident that the song wasn't going anywhere on the US top 40 charts the album was quickly retitled Mr. Fantasy, matching the original 1967 UK album. There were differences in the tracks on the album as well. One of the most notable changes was the inclusion of Paper Sun, a non-LP single that had been a British hit in late 1967. The version on the US album, however, was slightly different from its UK counterpart in that the song fades out quite a bit earlier than on the original version, with the deleted portion showing up at the end of the album.
Artist: Traffic
Title: (Roamin' Thro' The Gloamin' With) 40,000 Headmen
Source: LP: Best Of Traffic (originally released as 45 RPM B side and on LP: Traffic)
Writer(s): Capaldi/Winwood
Label: United Artists
Year: 1968
The second Traffic album saw the band taking in a broader set of influences, including traditional English folk music. (Roamin' Thro' The Gloamin' With) 40,000 Headmen, originally released in the UK as the B side to the tune No Face, No Name, No Number, combines those influences with the Steve Winwood brand of British R&B to create a timeless classic.
Artist: Love
Title: My Little Red Book
Source: 45 RPM single (stereo reissue)
Writer(s): Bacharach/David
Label: Elektra
Year: 1966
The first rock record ever released by Elektra Records was a single by Love called My Little Red Book. The track itself (which also opens Love's debut LP), is a punked out version of tune originally recorded by Manfred Mann for the What's New Pussycat movie soundtrack. Needless to say, Love's version was not exactly what composers Burt Bacharach and Hal David had in mind.
Artist: Love
Title: Emotions
Source: German import CD: Love
Writer(s): Lee/Echols
Label: Elektra
Year: 1966
Emotions, the last track on side one of the first Love album, sounds like it could have come directly from the soundtrack of one the spaghetti westerns that were popular with moviegoers in the mid-1960s. Probably not coincidentally, the instrumental is also the only Love recording to carry a writing credit for lead guitarist Johnny Echols (with the exception of the 17-minute jam Revelation on their second LP, which is credited to the entire band).
Artist: Love
Title: Alone Again Or
Source: 45 RPM single (stereo reissue)
Writer(s): Bryan MacLean
Label: Elektra
Year: 1967
The only song Love ever released as a single that was not written by Arthur Lee was Alone Again Or, issued in 1970. The song had originally appeared as the opening track from the Forever Changes album three years earlier. Bryan McLean would later say that he was not happy with the recording due to his own vocal being buried beneath that of Lee, since Lee's part was meant to be a harmony line to McLean's melody. McLean would later re-record the song for a solo album, but reportedly was not satisfied with that version either.
Artist: Crosby, Stills, Nash and Young
Title: 4+20
Source: LP: déjà vu
Writer(s): Stephen Stills
Year: 1970
Crosby, Stills, Nash and Young were always more a collection of individuals than a true group. 4+20, from the group's second album, déjà vu, is a good illustration of this point. The song features Stephen Stills on acoustic guitar and vocal, with no other voices or instruments on the recording.
Artist: Doors
Title: Love Her Madly
Source: LP: L.A. Woman
Writer(s): The Doors
Label: Elektra
Year: 1971
The first single released from L.A. Woman, the final Doors album to feature vocalist Jim Morrison, Love Her Madly was a major success, peaking just outside the top 10 in the US, and going all the way to the #3 spot in Canada. The album itself was a return to a more blues-based sound by the Doors, a change that did not sit well with producer Paul Rothchild, who left the project early on, leaving engineer Bruce Botnik to assume production duties. Rothchild's opinion aside, it was exactly what the Doors needed to end their run (in their original four man incarnation) on a positive note.
Artist: Koobas
Title: Barricades
Source: British import CD: Psychedelia At Abbey Road (originally released on LP: Koobas)
Writer(s): Ellis/Stratton-Smith/Leathwood
Label: EMI (original UK label: Columbia)
Year: 1969
The Koobas were a Merseybeat band that never managed to achieve the level of success enjoyed by bands such as the Beatles or Gerry and the Pacemakers, despite having the patronage of Beatles manager Brian Epstein and even appearing in the film Ferry Across The Mersey. They did record several singles for both Pye and Columbia, but with little to show for it. Nonetheless, EMI, the parent company of Columbia, commissioned an entire album from the band in 1969. Among the standout tracks from that self-titled LP was the five-minute long Barricades, a track that starts with a Motown beat, but before long morphs into a chaotic portrait of riot and revolution, complete with anarchic sound effects.
Artist: Rolling Stones
Title: Ruby Tuesday
Source: LP: Through The Past, Darkly (originally released as 45 RPM single B side and on LP: Between The Buttons)
Writer(s): Jagger/Richards
Label: Abkco (original label: London)
Year: 1967
One of the most durable songs in the Rolling Stones catalog, Ruby Tuesday was originally intended to be the B side of their 1967 single Let's Spend The Night Together. Many stations, however, balked at the subject matter of the A side and began playing Ruby Tuesday instead.
Artist: Eric Burdon and the Animals
Title: Hotel Hell
Source: British import CD: Winds Of Change
Writer: Burdon/Briggs/Weider/McCulloch/Jenkins
Label: Repertoire (original label: M-G-M)
Year: 1967
The first album by the New Animals (generally known as Eric Burdon and the Animals) was Winds of Change, issued in mid-1967. Although the album was not particularly well-received at the time, it has, in more recent years, come to be regarded as a classic. Hotel Hell is a moody piece that showcases Eric Burdon's contemplative side.
Artist: Rolling Stones
Title: Dear Doctor
Source: CD: Beggar's Banquet
Writer: Jagger/Richards
Label: Abkco (original label: London)
Year: 1968
In late 1968 four new albums by four different bands were competing for space on the record racks: The Beatles (white album), Cream's Wheels Of Fire, the Jimi Hendrix Experience's Electric Ladyland and the Rolling Stones' Beggar's Banquet. I can't imagine four albums that influential (or even that good) ever being released around the same time again. Just to further illustrate the point we have the song Dear Doctor. Compared to most of the songs on these four albums, the Appalachian-styled Dear Doctor is, at best, a novelty number. Yet taken on its own merits the song compares favorably with probably 90% of what's been recorded by any rock band (and a lot of country artists as well) in the years since.
Artist: Eric Burdon and the Animals
Title: San Franciscan Nights
Source: British import CD: Winds Of Change
Writer: Burdon/Briggs/Weider/Jenkins/McCulloch
Label: Repertoire (original label: M-G-M)
Year: 1967
In late 1966, after losing several original members over a period of about a year, the original Animals disbanded. Eric Burdon, after releasing one single as a solo artist (but using the Animals name), decided to form a "new" Animals. After releasing a moderately successful single, When I Was Young, the new band appeared at the Monterey International Pop Festival in June of 1967. While in the area, Burdon fell in love with the Haight-Ashbury district of San Francisco, during what came to be called the Summer Of Love. The first single to be released from their debut album, Winds Of Change, was a tribute to the city by the bay called San Franciscan Nights. Because of the topicality of the song's subject matter, San Franciscan Nights was not released in the UK as a single. Instead, the song Good Times (which was the US B side of the record), became the new group's biggest UK hit to date (and one of the Animals' biggest UK hits overall). Eventually San Franciscan Nights was released as a single in the UK as well (with a different B side) and ended up doing quite well.
Artist: Rolling Stones
Title: Parachute Woman
Source: CD: Beggar's Banquet
Writer: Jagger/Richards
Label: Abkco (original label: London)
Year: 1968
The last Rolling Stones album with the original lineup was Beggar's Banquet, released in 1968. The album itself was a conscious effort on the part of the band to get back to their roots after the psychedelic excesses of Their Satanic Majesties Request. Sadly, Brian Jones was fast deteriorating at the time and his contributions to the album are minimal compared to the band's earlier efforts. As a result, Keith Richards was responsible for most of the guitar work on Beggar's Banquet, including both lead and rhythm parts on Parachute Woman.
Artist: Eric Burdon And The Animals
Title: White Houses
Source: CD: Retrospective (originally released on LP: Every One Of Us)
Writer(s): Eric Burdon
Label: Abkco (original label: M-G-M)
Year: 1968
Following two strongly psychedelic LPs, Winds Of Change and The Twain Shall Meet, Eric Burdon And The Animals returned to a more blues-based approach for their late 1968 release Every One Of Us, adding keyboardist Zoot Money to the lineup in the process. A highlight of the self-produced album was White Houses, a tune that previews the direction Burdon's music would take in the early 1970s, both as a solo artist and with the band War.
Artist: Fat
Title: Journey
Source: LP: Fat
Writer(s): Kaminsky/Newland
Label: RCA Victor
Year: 1970
Fat was formed at Holyoke Community College in Springfield, MA in 1968 by Peter J NewlandMichael Benson and Jim Kaminski. The three soon added bassist Guy DeVito and drummer Benji Benjamin. Like most bands, they started out playing cover tunes, but soon shifted their focus to doing original material. An early demo tape got the attention of producer Eddie Jason, who got them a deal to record an album for RCA Victor in New York, Urban legend has it that RCA Victor released only 400 copies of Fat's only major label LP. Somehow, WEOS-FM in Geneva, NY, where Stuck in the Psychedelic Era is produced, has had one of those copies in its library since 1970. Although Fat, due as much to bad timing as anything else, never got the chance to record for a major label again, they remain active as a band (with a few inevitable personnel changes) as of 2020 and have several independent releases under their belt.
Artist: Manfred Mann Chapter Three
Title: One Way Glass
Source: LP: Manfred Mann Chapter Three
Writer(s): Manfred Mann
Label: Polydor
Year: 1969
Keyboardist and band leader Manfred Mann is not known for his vocals. In fact, his band's have always featured someone else as front man, starting with Paul Jones (who sang Do Wah Diddy Diddy) and including Chris Thompson (who sang Blinded By The Light) in Manfred Mann's Earth Band. In between the original group and the Earth Band there was Manfred Mann Chapter Three, a group oriented toward progressive rock with heavy jazz overtones. Bassist Michael Hugg handled most of the lead vocals for that group, with the exception of One-Way Glass, from that band's first album, which is sung by Mann himself. Following a second album, Mann would disband Manfred Mann Chapter Three and form Manfred Mann's Earth Band in the early 1970s with an entirely different set of musicians.
Artist: Jeff Beck
Title: Love Is Blue (L'Amout Est Bleu)
Source: 45 RPM single (reissue)
Writer(s): Blackburn/Cour/Popp
Label: Sundazed/Epic (original UK label: Columbia)
Year: 1968
In early 1968 guitarist Jeff Beck, having parted company with the Yardbirds, found himself with all kinds of freedom, but few ideas about what to do with it. One of his earliest solo recordings was a cover of Paul Mauriat's L'Amour Est Bleu (Love Is Blue). Producer Mickey Most's arrangement of the piece, which made the British top 40, was actually quite similar to Mauriat's original, the main difference being Beck's guitar taking the part that had been played by a string section on the original. While recording Love Is Blue, Beck was also in the process of putting together a new band, the Jeff Beck Group, that featured a young Rod Stewart on lead vocals on the single's B side. The rest is history.
Artist: Pleasure Seekers
Title: What A Way To Die
Source: LP: Nuggets Vol. 2 (originally released as 45 RPM single B side)
Writer(s): Dave Leone
Label: Elektra (original label: Hideout)
Year: 1966
One of the first all-female bands that played their own instruments in rock (and almost certainly the first in Detroit) was the Pleasure Seekers. Formed by then 16-year-old Patti Quatro and her 14-year-old sister Suzie, they were soon joined by the Ball sisters, Nancy and Mary Lou, and pianist Diane Baker. Brashly claiming they could play better than any of the bands currently appearing at the Hideout, the local teen night club, Patti convinced the club's owner Dave Leone, to give them a tryout. They soon became regulars and began to build a local reputation, which in turn led to the release of their first single on Leone's Hideout label. The B side of that single, What A Way To Die, features Suzie Quatro on lead vocals, and was covered by the Mummies in the 1988 cult film Blood Orgy of the Leather Girls.
Artist: Weeds
Title: It's Your Time
Source: Mono LP: Nuggets vol. 8-The Northwest (originally released as 45 RPM single)
Writer(s): Bowen/Wynne
Label: Rhino (original label: Teenbeat Club)
Year: 1966
The Weeds were formed in La Vegas in 1966 by Fred Cole (lead vocals), Eddie Bowen (guitar), Ron Buzzell (guitar), Bob Atkins (bass guitar), and Tim Rockson (drums). Cole had already established himself as a recording artist with other local bands that played at the Teenbeat Club (thought to be the first teens-only club in the US) in Paradise, a Las Vegas suburb, and it wasn't long before the Weeds released It's Your Time on the club's own record label. Not long after the single was released the band drove to San Francisco, where they had been promised a gig at the Fillmore Auditorium, but when they arrived they discovered that no one there knew anything about it. Rather than return to Las Vegas, the Weeds decided to head north for Canada to avoid the draft, but they ran out of gas in Portland, Oregon, and soon became part of that city's music scene. Cole would eventually become an indy rock legend with his band Dead Moon, co-founded by his wife Toody, herself a Portland native.
Artist: Magic Mushrooms
Title: It's-A-Happening
Source: Mono CD: Nuggets-Original Artyfacts from the First Psychedelic Era (originally released as 45 RPM single)
Writer: Casella/Rice
Label: Rhino (original label: A&M)
Year: 1966
It's not known whether or not the Magic Mushrooms heard any of the tracks from the Mothers Of Invention album Freak Out when they recorded It's-A-Happening. Still, it's hard to imagine this bit of inspired weirdness being created in a vacuum. Besides this one single, nobody seems to have any knowledge whatsoever of the group known as the Magic Mushrooms, other than the fact that they hailed from Philadelphia, Pa., and, along with Captain Beefheart And His Magic Band, may well have been the reason that A&M Records shied away from signing any more psychedelic rock bands for the next few years. (Well, there were Procol Harum and Joe Cocker, but their stuff was recorded for British labels and reissued in the US by A&M, so I'm not counting them).
Artist: Saturday's Children
Title: Born On Saturday
Source: Mono CD: If You're Ready! The Best Of Dunwich Records...Volume 2 (originally released as 45 RPM single B side)
Writer(s): Bryan/Holder
Label: Sundazed/Here 'Tis (original label: Dunwich)
Year: 1966
Despite being one of the most popular local bands in the Chicago area, Saturday's Children were never able to sell enough copies of their singles to be able to record an entire LP. Nonetheless, they did record some fine tunes such as Born On Saturday, which appeared as the B side of their first single for Dunwich Records. Bassist Jeff Bryan later went on to join H.P. Lovecraft, while guitarist Dave Carter ended up with the Cryan' Shames.
Artist: New Colony Six
Title: A Heart Is Made Of Many Things
Source: Mono CD: Breakthrough
Writer(s): Pat McBride
Label: Sundazed (original label: Centaur)
Year: 1966
When you're young and in a rock 'n' roll band, there is no greater thrill than hearing your song on the radio for the first time. Or at least that's the way it was in mid-1960s Chicago, when a song called I Confess by a local band called the New Colony Six started getting airplay on WLS. Back then there were no college radio stations or underground FM outlets, so if your song got played, it got played alongside the most popular hits of the day and was heard by literally millions of listeners. For the most part WLS did not play songs by local bands. They were, after all, the second most listened to radio station in the entire United States (after New York's WABC), with a nighttime signal that could be heard halfway across the country (I remember picking it up in New Mexico in the early 1970s). Still, there was something about I Confess that made people want to hear it over and over. The song ended up hitting the #2 spot on WLS in early 1966, which led to the band, consisting of Ray Graffia, Jr. (vocals), Chick James (drums), Pat McBride (harmonica), Craig Kemp (organ), Wally Kemp (bass), and Gerry Van Kollenburg (guitar), to return to the studio to record Breakthrough, their first LP for Centaur Records, which was owned by Ray Graffia, Sr. Unusual for the time, most of the songs on Breakthrough were original compositions, including A Heart Is Made Of Many Things. According to Graffia, McBride, who sang lead on the song, was so into his performance in the studio that he actually went into his stage act while the rest of the band members were snickering. The New Colony Six had a decent run over the years, scoring several more local hits, including I Will Always Think About You, which hit #1 on WLS on its way to becoming the group's first national top 40 hit, and Things I'd Like To Say, which topped out at #2 locally and made the top 20 on the national charts. Like many of their contemporaries, the NC6 went through many personnel changes over the years before finally disbanding in 1974.
Artist: Jimi Hendrix/Curtis Knight
Title: Love, Love
Source: British import CD: The Summer Of Love Sessions (originally released on LP: Flashing)
Writer(s): Knight/Hendrix
Label: Jungle (original label: Capitol)
Year: 1968
Even after releasing three hit singles in the UK and making his US debut with his new band at the Monterey International Pop Festival, Jimi Hendrix still had time to sit in on sessions with old friends such as Curtis Knight, whom he had worked with previously on the so-called Chitlin' Circuit of venues catering to black audiences. Unfortunately, during some of those sessions in 1967 the tapes were rolling on tunes like Love, Love, and the following year Capitol released the recordings as a followup to the 1967 album Get That Feeling, credited to Jimi Hendrix and Curtis Knight. Hendrix was already dealing with a lawsuit filed by Capitol stemming from his signing a standard contract as a session man for Knight in 1965 (which is where the Get That Feeling album came from), and the fact that this group of songs was recorded while Hendrix was under contract to Britain's Track label just complicated the entire matter, and eventually led to Hendrix owing Capitol a new album, which became Band Of Gypsys.
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